ArtChat [Blog Interview #42] – Melissa Gollan

Melissa Gollan is a Brisbane based contemporary artist who is exhibiting for the first time at Red Hill Gallery in February. Her work is imaginative, quirky and slightly retro; capturing simple and joyful experiences through her love of all things vintage.

Women-Of-Substance-MELISSA

AC:    Your quirky style has a vintage feel to it. What inspires you?

MG: For as long as I can remember I have had a love for all things vintage;  whether it be rummaging through old antique stores for fashion, old vinyl or quirky publications, I find I can get lost in that space for hours.  I enjoy taking these older elements and re-creating them somewhat into a contemporary finished piece for today.  My drive and personal inspiration to keep producing ever changing works and doing so much of what I love, I contribute to my younger late sister who taught me to ‘never-give-up’ on your dreams and your passion and to live every day to it’s fullest.

AC:     Describe your art in a sentence.

MG: Primarily my past works have been completing extremely diverse commissions, and I like to think that this lends itself to me being able to offer clients the opportunity to purchase completed works or the ability to have something created to compliment their chosen space.

AC:    What can’t you live without?

MG:  I would have to say ‘Music.’  It is often that the creative lyrics of a song play a significant part in the inspiration of my work.

AC:   Do you remember your first painting as a child?

MG: My first memory is of a painting I produced of Mickey Mouse at the age of about 5 and what I would say was my first truly significant art piece, a sculpture of a clown completed at about the age of 14.  Perhaps I was drawn to the excitement and happiness that both these subjects projected to me at the time.

AC:   What music do you listen to whilst you’re working?

MG: I listen to a diverse range of music depending on my mood and the style of work I am working on.  At present though one of my favourites after attending Woodford Folk Festival  on New Year’s Eve, is a Folk Singer/Songwriter with the one of the most soulful voices, named Ange Takats.

Women-Of-Substance-01

AC:   Apart from art what is the next most creative thing you do?

MG: I have recently taken up music again – The cello in particular.   I love the collaborative use of such a beautiful classical instrument and integrating it with modern music; in particular indie folk music. I had the fortune to be asked by a good friend of mine recently if I would write him some lyrics for a song, which was again an extremely rewarding creative experience of expression.  Ironically it happens to be being recorded on the same night of this exhibition launch – 14th February at a live gig here in Brisbane, by the Empresario’s, which is really exciting!

AC:  Your work is dominated by large colour fields, how does colour affect you?

MG: I believe that colour as much as subject matter can produce an array of emotions.   I returned from a trip to Europe last September and I found myself influenced to use a much broader and brighter colour palette in this series.  Stopping and acknowledging how joyful and colourful our everyday surroundings can be is something that I wanted to express through these works.

AC:  What do you like doing when you’re not painting?

MG: When I am not painting I love being outdoors and on the water – At present I am loving paddle-boarding!  I also enjoy discovering new live music artists and simply catching up with friends.

AC:  Share something about yourself which would surprise our readers.

MG: I love pushing the boundaries and really want to learn the static trapeze! “It’s never to late is it? “

Melissa Gollan will be showing with three other  talented female artists in a group exhibition “Women of Substance” at Red Hill Gallery, Brisbane from February 14 until Sunday March 3, 2014.
Women-Of-Substance-2

©  Red Hill Gallery

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The New Generation of Career Women In the Arts

A career in the arts is not just for anyone, as well as having bucket loads of talent, creativity and a great love for the visual arts, it also requires dedication, commitment and a determination to succeed.  It is not just a profession but a lifestyle choice that will last forever.

The Red Hill Gallery in Brisbane  will kick start 2014 in February, opening with Women of Substance, an exhibition by four professional artists  who present a contemporary take on their chosen subject.  All are dedicated career women devoted to the arts and selected by the gallery curator, Margaret Campbell-Ryder to complement each other with their own individual artistic styles.

Below is a little snapshot of their upcoming exhibition.

Danielle McManus draws her inspiration from everyday life. The naïve and wide-eyed whimsical figures evoke stories that people can relate to. She moves across various mediums working her gentle characters on ceramics, paper and canvas creating timeless memories with a touch of innocence.

Melissa Gollan has created a series of works that are imaginative, captivating and colourful. Her love of all things vintage is depicted in her paintings with oft forgotten simple and joyful experiences. Quirky and fun, her work will have a wide appeal amongst lovers of art.

Leah Anketell paintings originate with childhood visions. The Australian outback culture is a strong influence with the bovine often featured. Leah portrays the humble bovine as a metaphor for the human condition, infusing her subjects with all the angst that comes from living in an age of transition.

Seabastion Toast paintings involve an exploration into animal archetypes and the relationships humans have with animals and their environments. Much of her source imagery includes animals in flight or fight, in which a contrasting beauty can be excavated from an originally terrifying or violent image.

©  Red Hill Gallery

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Australia – this Great Land, you’ve gotta love it!

Australia Day 26th January  is a day to celebrate all things great in our wonderful country.

From the many street parties, beach cricket,  cockroach races,   thong throwing,  backyard barbies,  to the official Australia Day Celebrations,  we can all salute this day in our own Aussie style.

Australia Day

The Australia Day Citizenship Ceremony  held in Brisbane City Hall  will make the hair stand up on the back of your neck with the traditional aboriginal dance, perhaps an indigenous dreamtime story if you are lucky and the “I Am Australian” song being played   and what would a celebration be without a rendition of “Waltzing Matilda”  . It’s a day when many new immigrants pledge their allegiance to their newly adopted country – Australia.

Australia Day

Queensland Government House opens its gates for all to visit this historic building and enjoy a picnic in the beautiful grounds; you might just get to see the Queensland Light Horse Brigade.  The pomp and ceremony of the Flag Raising held at Southbank in Brisbane, is also a sight to behold!

Celebrate Australia Day

It’s also the day when we celebrate the achievement and contribution of eminent Australians through the Australian of the Year Awards.  We also recognise the many artists who have put Australia on the world stage, from our great actors, Geoffrey Rush, Hugh Jackman, Cate Blanchett and Nicole Kidman, our writers Colleen McCullough and Tim Winton, playwrights David Williamson and Ray Lawler, our musicians ACDC, and who can forget those wonderful INXS concerts and of course The Wiggles. Our many famous indigenous artists including Albert Namatjira and Gordon Bennett and painters Arthur Boyd AC OBE (Australian of the Year in 1995), Jeffrey Smart, Charles Blackman, the list goes on. As Peter Allen proudly said “We still call Australia home“.

Australia Day

We recognise the natural owners of this great land, the Indigenous people. Many came to our shores before the English finally landed, but there has only been one successful landing in Australia by an Englishman called Cook……. his name was James, certainly not Alastair!!!!!

Many nationalities have followed, bringing with them many of their cultures that now make up this great multicultural nation of ours, all living in harmony as one.

Australia Day

So from the back of Burke to Alice Springs, Broome, Broken Hill, Birdsville to Brisbane and all over Australia, in our thongs, togs and boardies or frocking up in our best Aussie gear, whatever you do, wherever you are, get out there and wave those flags this Australia Day and celebrate as a nation together.

Happy Australia Day!

©  www.redhillgallery.com.au

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Red Hill Gallery Annual Sale [Daily until – 31 January 2014]

Red Hill Gallery’s annual Sale is now upon us.  With over 2,000 pieces of art, from original paintings, works on paper to fine glass , ceramics, and sculpture . Everything is discounted between 10-60% off its original price; making this Brisbane’s BIGGEST a

Artists make a living by selling their work, and every piece they sell gives them the opportunity to produce something new.” Margaret Campbell-Ryder (Director).

The Sale is a small window of opportunity to be able to buy extraordinary Australian art at significantly discounted prices. Open to the general public as well as our clients . The Sale will continue daily until Friday the 31st of January and after this period the artworks will return to their original prices.

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If you have never purchased a piece of fine art the Sale at Red Hill Gallery is the perfect time to put your toe in the water and visit the gallery, you might be pleasantly surprised at what a wonderful world you discover.

Art can be a lifelong passion of learning and collecting so why not start NOW by visiting the Gallery and picking up a bargain at the same time.

Art will last you a lifetime and give you pleasure every single day. Enjoy your journey into our artistic world!

Stay tuned to Facebook  to see sneak-peeks of our Sale items and extra  special offers or enquire after your favourite artist by contacting the gallery art@redhillgallery.com.au or phone one of the team on 07 33681442 .

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©  www.redhillgallery.com.au

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A FRESH START TO THE NEW YEAR

With the New Year upon us it is always good to step back and kick start off our year with resolutions, but if you read the myriads of articles on the subject you will now know that most want to lose weight or start an exercise class or eat better.

Dean Reilly, painting "Was"

Dean Reilly, painting “Was”

So as we are all about ART we thought we would give you some fresh ART IDEAS for your New Year.

Melissa Gollan "I Can Hear the Music"

Melissa Gollan painting “I Can Hear the Music”

We particularly like the recent quote by QWeekend Magazine Editor and journalist Kylie Lang in her Sunday Mail column headlining her article on New Year’s resolutions with “Take small steps on the path to change

So with great intentions your resolution should be  “Take it one step at a time to achieve your goal”.

Paul Margocsy Watercolour "I'll Bet You Say That To All the Cockies"

Paul Margocsy Watercolour “I’ll Bet You Say That To All the Cockies”

New to art then start your art collection now.
Step 1….Any art you buy must be a stand-out and have a personal WOW factor for YOU!
Step 2….Always ask for guidance from the Gallery art consultants……IT IS FREE!
Step 3….Look for new emerging artists to kick-start your collection,
Step 4….Ask the consultants about mid-career artists to add to your collection,
Step 5….Review your current art work and update them with new frames. Any works under glass older than 10 years should be re-framed and re-matted by a professional art framer,
Step 6….Step back and seek the guidance of a professional to review your collection,
Step 7….You will be surprised at how the dynamics of your room can change so move your art around,
Step 8….Seek the guidance of a professional service to re-hang and re-position your artwork around,
Step 9….Your collection of family photos that hold lots of memories can be all hung together to make a wonderful family display,
Step 10….Enjoy the experience and let your heart rule your head…. buy what you love.

Regina Noakes "Bird on a Sill"

Regina Noakes “Bird on a Sill”

The Editor of Vogue Australia shared her New Year’s resolutions on line……..  “Wear more prints, get regular facials and wear brighter nail varnish. And buy more art.”        Edwina McCann, editor-in-chief Vogue Australia.  To assist Edwina with her New Year’s resolution may we say…….”Edwina, we will leave the print selection up to you, but when in Brisbane we know where you can a great facial and just that right colour nail varnish! In Therapy is one of Brisbane’s best Beauty salons… right here in Red Hill  AND we at  RED HILL GALLERY  would love to assist you to  “buy more art!”

Happy New Year everyone and if you achieve just one resolution that’s ok –  remember small steps!

Frank Miles Sculpture "Sisters 2"

Frank Miles Sculpture “Sisters 2”

Recommendations :-  Brisbane Framers –  Colin Gordon at Artagraph Milton, Adam & Nicole Green Art Land Indooroopilly, Jan Prior Boutique Framing Ascot             Professional Art Hanging Services: Darren Bacon Art Perfect,  Andrew Dunlop The Art Of Hanging

www.redhillgallery.com.au

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The Boxing Day Tradition

“No man ever talked in poetry ‘cept a beadle on boxin’ day” (Charles Dickens, Pickwick Papers)

Dating back to 1833, it is thought that Boxing Day takes its name from the Christmas Boxes that servants were given by their employers when they returned to work the day after Christmas.

It is also the day that both Harry S Truman and Gerald Ford, two former American Presidents, died; the day Earth’s populations reached 5 billion in 1986 and the day that the traditional meal of St Stephen’s Day pie is eaten.

At Red Hill Gallery Brisbane it is also the day we celebrate the birthday of Dexter, the Boxer who has been captured in Mela Cooke’s bronze sculpture.

Mela Cooke Sculpture Dexter  Dexter

It is also the day that Australia celebrates that other great Aussie tradition Cricket.

“The start of the Boxing Day Test in Melbourne represents the start of one of cricket’s finest traditions in the long history of the sport.

The Melbourne Cricket Ground first staged a Test on Boxing Day in 1950, as the fourth day’s play between England and Australia  fell on December 26 of that year.” Chris Teale Bleacher Report

RichardKulma

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ArtChat [Blog Interview #41] – Emma Sheldrake

Artchat recently spoke with Emma Sheldrake to find out a little more about her, and her painting, before the December exhibition of new works at Red Hill Gallery.
Emma SheldrakeEmma Sheldrake has a wealth of artistic inspiration and a diversity of style circulating the depths of her imagination. She is an abstract colourist blending her passion for faces with the mischievousness of Pop Art.

AC:         Describe your art in a sentence.
ES:         Bold, striking, spontaneous and captivating, my works reflects the fact that painting liberates my passion and energy.

AC:         Who or what inspired you to become an artist?
ES:          I was born into a family of artists & I couldn’t escape it. 

AC:        What is your favourite medium to paint in and why?
ES:         Acrylic because it is water soluble and is fantastic for my personality, I’m one that doesn’t like to watch paint dry for too long. Its vibrancy is another thing I love.

AC:         What music do you listen to while painting?
ES:          Electronic, French music (even though I can’t sing to the words) but for its sultry nature & instrumental music also…

AC:         Tell our readers something about yourself that may surprise them?
ES:          I have one green eye & one brown eye.

AC:         What are your favourite colours on the palette?
ES:          I love a splash of red… I love the graphic nature of black and white with a touch of a striking blue or green… such as in the eyes…

AC:         What is your favourite quote or saying?
ES:         ‘Art is what you can get away with’ Andy Warhol

AC:         What do you hang on your walls?
ES:          Other artists work mainly…Esther Erlich, Micheal Keller, Wolfgang Lammie, Kim Kennedy, Ross Tamlin, Julie Reeves and the list goes on, there are a few EM’s that got in the mix too.

AC:         What advice would you give a client purchasing a piece of your art?
ES:          Simply enjoy it & know that the energy left within it is all joy. It is a pleasure to create knowing the right people will connect with the work & it will find its rightful place.
Emma Sheldrake

©  www.redhillgallery.com.au

Emma Sheldrake – Exhibiting at Red Hill Gallery – December 2013

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ArtChat [Blog Interview #40] – Karen Atkins

Artchat recently spoke with Karen Atkins to find out a little more about the person behind the whimsical and quirky paintings exhibiting in the upcoming exhibition at Red Hill Gallery in December.
Karen Atkins
Karen Atkins fresh subjective artwork is drawn purely from her own imaginations. She endeavours to artistically entice everyone to discover their own story within each of her creative works.

AC:         Describe your art in a sentence.       
KA:         My paintings are an evocation of my personal myth making and paintings    become theatres where I ‘direct’ my characters.

AC:         Who or what inspired you to become an artist?  
KA:         There was never a time when I didn’t draw and paint compulsively, my path was inevitable.

AC:         What is your favourite medium to paint in and why?
KA:         I paint primarily in acrylics as they enable me to combine a multitude of techniques. 

AC:         What music do you listen to while painting?  
KA:         Anything from Albinoni to Eminem – depends on my mood and the story I’m painting.

AC:         Tell our readers something about yourself that may surprise them?    
KA:         I used to work on a shearing team. 

AC:         What are your favourite colours on the palette? 
KA:        All colours, I’m passionate about colours and how they speak to each other.

AC:         What is your favourite quote or saying?   
KA:         ‘Beauty will save the world’ Dostoevsky

AC:         What do you hang on your walls? 
KA:         I collect icons and am lucky enough to share my home with several of Mirka Mora’s paintings and the paintings I have in progress.

AC:         What advice would you give a client purchasing a piece of your art?
KA:         If you can’t get a painting out of your head, then one way or another you must have it.
Karen Atkins
©  www.redhillgallery.com.au

Karen Atkins – Exhibiting at Red Hill Gallery – December 2013

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ArtChat [Blog Interview #39] – Conchita Carambano

Artchat recently caught up with Conchita Carambano about her upcoming exhibition at Red Hill Gallery in December and to learn a little more about her.Conchita CarambanoConchita Carambano has a strong sense of involvement with her paintings; her brisk, deft technique is very distinctive. She pushes inventiveness to the limit with her abstract forms and shapes through the sensual use of space, colour and symmetry.

AC:     Describe your art in a sentence.                                                                                 CC:     My art is me, how I breathe, what I think, how I feel.

AC:    Who or what inspired you to become an artist?
CC      I don’t know, but for as long as I can remember, it was the only thing I thought that I would do.

AC:     What is your favourite medium to paint in and why?                                       CC       I love anything and everything that I can get my hands on.

AC:     What music do you listen to while painting?
CC:     Always 2CH Radio.   

AC:    Tell our readers something about yourself that may surprise them?
CC:     I hate public speaking.

AC:     What are your favourite colours on the palette?
CC:     Wedgewood Blue.

AC:     What is your favourite quote or saying?
CC:
      “From your mouth to Gods ears”.

AC:     What do you hang on your walls?
CC:     Other artists work.

AC:     What advice would you give a client purchasing a piece of your art?
CC:     Let my work speak to you.Conchita Carambano
©  
www.redhillgallery.com.au

Conchita Carambano – Exhibiting at Red Hill Gallery – December 2013

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THE GIZZARD OF WAS — Poetry by Dean Reilly

Ive been†shedding skin
and squeezing my pimples again.
I’m down
Digging in the dirt
looking for all the clues
Past the all dead ends.

I’ve been bent to my kness
Cleaning my tired shoes
I wallowed in my own depression
And the insecure dreams
For a path to take me over
Or a word to guide me through.
I want to see the world not going down.
I want a better place to live in as do you.

My reflection, my reflection
Changes and looks at me.
My reflection is aging quickly, my reflection is aging quickly
I am seeing the wrinkles again.

I’ve been stirring on my back
Resolving unfullfilled dreams.
I’ve been dancing with the crazy one
With delusion in my eyes.
I want to feel the reflection,
Feel the reverse within.
I want feel the transformation and
start erasing before I begin

My reflection, my reflection
Changes into me
I have no time.
To listen to my muscle memory.
I contemplate what I’ve been…

See my reflection changing,
Creeping up and over me.
Removing my old armour.
Hoping to show the way
By reaching through my reflection,
Showing me another day

My reflection has become me
My reflection has become me
My reflection and my destiny.
My reflection and my destiny.
I’ve been squeezing pimples again.

Dean Reilly
Dean Reilly

Exhibiting at Red Hill Gallery November 2013

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Rubber Duckie You’re The One!

The Great Duck RaceWe all remember Ernie from Sesame Street’s bath time song about his beloved duckie… well the rubber duck is back in a BIG WAY!

Surprising, whimsical and a whole lot of fun for no apparent reason!

Florentijn Hofman’s “Rubber Duck” knows no frontiers, it doesn’t discriminate ,and doesn’t have a political connotation. The friendly, floating Rubber Duck has healing properties: it can relieve mondial tensions as well as define them. The rubber duck is soft, friendly and suitable for all ages!

It’s appeared in Sydney, Kaoshiung, Osaka, Hasselt, St. Nazaire, Onomichi, Auckland and Sao Paulo. The Red Hill Gallery director Margaret Campbell-Ryder saw it first hand in Hong Kong while attending Art Basel.

 

The Great Duck Race

Great Brisbane Duck RaceThe Great Brisbane Duck Race Brisbane – Supporting the Duck to Stop Cancer

On Sunday 20th October 2013, 40,000 rubber ducks will flock to the shores of the Brisbane River to take their place on the starting line in the race that quacks the Nation.

The Great Brisbane Duck Race is the PA Research Foundation’s signature FUNdraising event for Cancer Research.  The Foundation funds world class research into deadly and debilitating disease at the home of the discovery to the world’s first cancer vaccine. The PA Campus is one of the most energetic research precincts in the nation. With the opening of the Translational Research Institute, up to 1300 researchers call PA home. Together, these researchers will investigate disease prevention, early detection, treatment and cures. Be a part of the next great medical breakthrough.

Jason CastleJason Castle works for the PA Research Foundation and is the Duck chaperone while she is on the river. We had the chance to ask him a few questions about his time with her.

AC: What is your involvement with the Duck race and how long have you been running the race that stops a city…..river?
JC:
I am the Fundraising and Events Co-ordinator  and have been in this position for 2 years now.

AC: How important is this type of fundraising to the PA Research Foundation?
JC:
The money goes toward  developing better treatments and finding more vaccines for  Cancer, which affects every single one of us. The PA Foundation are all about saving lives and creating a healthy world for all.

AC:  She definitely has a feel-good quality about her, making people smile when they see her floating down the Brisbane River.  What is the symbolism of the duck?
JC:
  The duck traditionally is a symbol of fun and play.  They are  swimming in water, which symbolises cleansing and purifying.  Its a symbol of innocence that holds no negative associations, making us all smile! 🙂
Something-to-Quack-about

AC: This years fundraising has been even more successful than last year, so far. What do you attribute that to?
JC:
  The duck has been out on the River raising money, as well as awareness, for 7 years on our River, and there is much more publicity and media build up now.  That helps with getting the people interested. Also, our corporate sponsors love the Great Brisbane Duck Race and represent a good amount of the money raised.

AC:  Where does she go when the race is over and all the ducks have been put away for another year? Do you take her home with you? Are there tears when you say goodbye?
JC:
No! I don’t take her home with me, and no, there are no tears. Ha! She is tucked away safely at the PA Hospital ’til next years great Duck Race.

AC: Word on the street is that you play wicked guitar, would you like to give your band a plug? When and where is the next gig?
JC:
  We are The Empresarios and there will be a whole lotta house-shakin’ going down on November 2nd at Leftys Old Time Music Hall.  Great music and venue!’

Celebrate cancer research at the Great Brisbane Duck Race Festival Sunday 20th October! For loads of family fun, live entertainment, licenced area, rides and more food stalls than even before.  Riverside Drive, West End.
Support-the-DuckGet QUACKING for Cancer Research! Be a part of bringing amazing cancer research discoveries to life, to help change the lives of people and their families battling cancer.

Get involved: duckrace.gofundraise.com.au
Like the Facebook page:  www.facebook.com/greatbrisbaneduckrace

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ArtChat [Blog Interview #38] – Sue Gilmour

Sue Gilmour’s paintings in ‘Under a Southern Sky‘ are atmospheric and idealised depictions of land and cityscapes. Educated in East Africa, Sue’s early life was spent moving between Tanzania, Kenya and Uganda. These remote and beautiful locations would prove to have a profound affect on Sue’s art career. After graduating from London’s Ravensbourne College of Art & Design with a Bachelor in Fine Arts (Hon) Sue moved to North Queensland to be closer to her family, she now resides in South East Queensland.
Sue GilmourAC: Describe your art in a sentence.
SG: My work is not about representation but about the emotion it evokes.

AC: Who or what inspired you to become an artist?
SG: The seeds were planted by my parents, unwittingly probably. My father introduced me to classical music at 5 years and the illustrations on the record covers often depicted great painters such as Turner. They also loved art, theatre and ballet and our house had framed prints of Vermeer, Degas and some local African artists. I was hooked.

AC:  Why do you paint the scenes you do?
SG: I am influenced by the weather and the environment and what’s happening such as floods or drought. I don’t make a conscience decision, I have a vague idea of what I want to express and then the painting takes over. I make the final conscious marks at the end of the painting.
Sue GilmourAC: What music do you listen to while painting?
SG: Bob Marley and The Wailers, Paul Kelly and Beethoven.

AC: Tell our readers something about yourself that may surprise them?
SG: My favourite T.V. program is reruns of M.A.S.H.

AC: What is your favourite quote or saying?
SG: ‘You can’t call yourself an artist until you have resolved 150 paintings.’ Fred Williams.

AC: If you could work with any other artist from any era who would it be and why?
SG: Picasso. He lived in an amazing  time, historically, culturally and socially and was a prolific artist for over 70   years.  I never appreciated his work until I saw it at the Musee Picasso, Paris[ 2007], the real thing as opposed to books and print. His ability as a painter, draughtsman, sculptor, ceramicist, theatre designer and recycler of objects would make working with him an adventure. He was also a great art collector of his peers work.
Sue Gilmour©  www.redhillgallery.com.au

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ArtChat [Blog Interview #37] – Adrienne Williams

A graduate of the Queensland College of Art Adrienne Williams paints beautiful depictions of the Australian Bush and Fauna. Her work has a tranquil and calming quality that is indicative of artists from the Heidelberg school, while stylistically totally different she captures the essence of Australia in her stylistic approach to landscape.
Adrienne WilliamsAC: Describe your art in a sentence.
AW: My art is plein air landscape scribbles and scratchings which develop into collagraphs and oil paintings in the studio.

AC: Who or what inspired you to become an artist?
AW: When I was young the world of art was like a foreign country, but my beautiful mum was a huge nurturer of my early scribbles and scratchings. Through art college and my early design career I didn’t feel I had anything mature to say in paint, but in my early 30’s I met a great mentor, painter John McConachie, in Brisbane and he inspired me greatly with his thinking, his work and his dedication to his painting.

AC:  Why do you paint the scenes you do?
AW: I’ve always felt really at home in landscape, and most of my spare time and holidays are spent outdoors. Early bushwalking pursuits evolved into a passion for the environment and I do feel really compelled to paint about this, but in a gentle way. This current series, Closer to Home, is exploring the growing of food alongside areas of natural beauty that I see first hand in my new home in the North Burnett.
Adrienne WilliamsAC: What music do you listen to while painting?
AW: I don’t seem to be able to settle with music playing and discovered years ago that audio books keep me completely grounded at the easel, and public libraries now have a fantastic download system for audio books which Is handy when you live 50km from the library. When I’m tiring in the afternoons I’ll put on ‘old’ music that I know all the words to, and will sing at the top of my lungs to the dog. Lately she’s been hearing my interpretation of Van’s ‘Astral Weeks’, and my very bad Bee Gees falsetto.

AC: Tell our readers something about yourself that may surprise them?
AW: In contrast to the ‘gentle’ mentioned above, I have a mid-life crisis 650 Suzuki V-Strom I bought in 2006. I haven’t been on it for a year, but after the opening at Red Hill Gallery I’m going to dust it off.

AC: What is your favourite quote or saying?
AW: ‘If you’re not working hard, you’re not painting’ Jeffrey Smart

AC: If you could work with any other artist from any era who would it be and why?
AW: It would have to be Monet, the way he saw colour and light… there’s a lot to learn from that.Adrienne Williams
©  
www.redhillgallery.com.au

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ArtChat [Blog Interview #36] – Ruby Eaves

Ruby Eaves is influenced by her love of landscape and extensive travels have resulted in her strong passion for Australian scenes. In painting she aims to capture her personal experience of the landscape by being as honest to the scene in front of her as she can.  Inspired by a recent trip to the Australian Outback her paintings in ‘Under A Southern Sky’ are slightly more contemporary than her past works.
Ruby EavesAC: Describe your art in a sentence.
RE: My paintings are the result of my efforts to capture the beauty and spirit of the subject before me whether it be the vast arid desert or the gentle reflections on water.

AC: Who or what inspired you to become an artist?
RE: I grew up in the country and always enjoyed nature from a very young age. My parents encouraged me to appreciate and love the beauty of creation and with this influence it stimulated a desire to draw and paint. Visiting Art Galleries has always stimulated the “creative juices” and are great places for learning and have often spent hours studying some of the Masters of art there.

AC: Why do you paint the scenes you do?
RE: I paint the scenes I do because I want to convey to the viewer the emotion I experienced myself as I viewed the subject. It could be the chilly ,misty light of an early morning scene or the solitude or tranquil nature of a rural scene or the vast open spaces of our outback landscapes.
Ruby EavesAC: What music do you listen to while painting?
RE: When painting I love to become totally absorbed in what I am doing with just the sounds of nature to listen to as sometimes music can be distracting for me. In the studio sometimes I may listen to easy classical music if I feel I need it.

AC: Tell our readers something about yourself that may surprise them?
RE: What can I say…..I have this constant battle with a chocolate craving!!

AC: What is your favourite quote or saying?
RE: “Maybe tomorrow will be better…” (often referring to painting!)

AC: If you could work with any other artist from any era who would it be and why?
RE: There are many artists I would have loved to work with from different eras but one in particular would be JMW Turner, an early English artist. His work varies from Realism to Impressionism. I love his whole approach to art capturing the moods of his subjects and his brilliant ability to capture the light for which he is so well known. He also “pushed the boundaries” in his paintings to achieve the results he wanted which I admire so much.
Ruby Eaves

©  www.redhillgallery.com.au

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Purchasing Prowess

An Art Consultant’s observations on the way Brisbane clients purchase art.

Purchasing ProwessSince the beginning of the year the lovely art consultants at the gallery have started to notice a few trends emerging in the commercial art world. Now, we are certainly not claiming to be experts, however, we believe in 2013 there has been a definitive shift in the way people purchase art. This shift has been a hot topic of conversation in the coffee room and we’ve put it down to the usual suspects – the economic climate, the opportunity to buy and view art on the internet, and of course the recent election. We would like to share with you what we believe has been ‘trending’ on your walls as a result of the commercial art world shift.

Firstly, let’s talk colour!

With so much negativity bombarding us in the media, we often need a positive outlet to help us maintain perspective in our lives. Paintings, such as that of Dan Mason and Dean Reilly exude energy through their use of upbeat colours.  Hence, clients are purchasing this style of artwork in order to bring a little more ‘light’ into their lives.
Purchasing Prowesss

Vario Grayson 38058 Committee Meeting 120x90cmAt the moment, it seems that Brisbane buyers are craving anything that is big, bright and bold. Statement pieces depicting anything from gold fish (Grayson Vario) to quirky cows (Leah Anketell) are becoming increasingly popular. This is most likely due to their bold, thought-provoking nature which intrigues us and draws us in. Secondly, we’ve noticed that size has become a major influence for buyers.

Anketell Leah 38118 Gold Shirley 100x100cm


Finally, it’s all about personality.

Stevenson Graeme 38035 The Right Miter 90x120cmPeople define their true selves when buying art. They are very rarely persuaded by the opinions of others – it is about what appeals to you and you only. When a buyer falls in love with artwork it seems nothing can sway them, therefore art is being purchased as it brings people joy, inner-peace and comfort. We believe that this is the way it should be, as the artwork is yours and will become a part of your life.

So go forth and purchase your big bright and occasionally bizarre works – such as this Graeme Stevenson‘s Dior painting – because we understand that art is for everyone and that your personal preference is all that matters.

 

© Red Hill Gallery 

 

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ArtChat [Blog Interview #35] – Stephen Doyle

Self-defined as a tonal painter Stephen Doyle has been painting for some 20 years. His subject matter spans quite a broad scope including interiors and still life. In fact he candidly admits that he is propelled by his desire to paint the “perfect painting”. Stephen was invited to become a member of the esteemed Twenty Melbourne Painters Society Inc  in 2010.
Stephen DoyleAC: Describe your art in a sentence.
SD:  An objective look at the play of light on surfaces.

AC: Who or what inspired you to become an artist?
SD:   I saw a small exhibition consisting of still life paintings in a local bank and fell in love with the way they were painted.  Having never seen this tonalist style before, this gave me a longing to paint just like that.

AC:  Why do you paint the scenes you do?
SD: Anything can be paintable depending on the light.  Whether it be the beautiful greys and reds of a back alley street in Melbourne, to the subtle shadows of skin tones in a portrait to the brilliant colours of flowers in light.  It is the quality of light that inspires me to paint the scenes that I do.

AC: What music do you listen to while painting?
SD: I don’t listen to music whilst painting; I listen to talkback radio, together with Herman Pekel (the artist in the adjoining studio)!

AC: Tell our readers something about yourself that may surprise them?
SD: I live next to Caulfield Racecourse and horses have always been a passion of mine.

AC: What is your favourite thing about Spring?
SD: Living in Melbourne, we enjoy all four seasons in one day.  If I’m not freezing or sweltering, it must be Spring!

AC: What is your favourite quote or saying?
SD” “It does not matter how slowly you go as long as you do not stop”, Confucius

SD02Exhibiting at Red Hill Gallery, Brisbane, September 2013

©  www.redhillgallery.com.au

 

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ArtChat [Blog Interview #34] – Judith DaLozzo

Judith Dalozzo  first started painting professionally at 20 years of age and has gained recognition as a prominent and collectible still-life painter, both in Australia and overseas.  Judith attended the “Ecole Superieur D’Art Plastique et Visuel” in Mons, Belgium where she accepted a scholarship along with a five year living grant, an enormous privilege for an up and coming artist from Australia.JLAC: Describe your art in a sentence.
JD: A vision and reflection of simple beauty.

AC: Who or what inspired you to become an artist?
JD: When I paint it frees my mind and brings me back to when I was young in the studio with my mother, Lucette DaLozzo. She is the most inspiring person, the most creative artist, and the most nurturing mother.  She inspired me to paint my first oil painting when I was 9. It had a vase, grapes and flowers. I still can picture it today with a pink lacquered frame.

AC:  Why do you paint the scenes you do?
JD: As a child I was and still am a daydreamer and flowers and all things beautiful make me dream. There are so many different ways to paint a still life and as I’ve gotten older my visions for a still life painting have changed and evolved. I find it challenging and exciting to recreate what I have been painting for the last 30years.

AC: What music do you listen to while painting?
JD: In the studio is a cd of mixed Italian Opera which I have been listening to for the past 5 years. I love it. It’s uplifting and gets me in the mood before I even pick up a brush.

AC: Tell our readers something about yourself that may surprise them?
JD: I am a proud soccer mum, spending all my Saturdays on a soccer field with my two amazing boys.

AC: What is your favourite thing about Spring?
JD: Everything. You can already feel the change in the air. That sense of freshness, rebirth and colour all around. What’s not to love.

AC: What is your favourite quote or saying?
JD: I have two.
Never give up, “Whenever there is a down there is always an up” words of wisdom from my beautiful husband.
The other is from Henry Moore who I discovered while studying fine art in Belgium, “There’s no retirement for an artist, it’s your way of living so there’s no end to it.” Who doesn’t dream of being an artist?JL02Exhibiting Red Hill Gallery, Brisbane September 2013

©  www.redhillgallery.com.au

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ArtChat [Blog Interview #33] – Nafisa

With the onset of Spring the gallery is literally blooming with new life!

In our Spring Inspired feature, Nafisa will make her debut with a beautiful collection of works which will focus on flora.Artchat briefly caught up with Nafisa to gain a little insight into her art.

Nafisa at Red Hill GalleryAC: Describe your art in one sentence
Nafisa:
Ultimately my work is about ‘beauty in nature’ and whether that be reflected in a portrait, an animal or a group of unrelated objects- the identity and uniqueness revealed by close observation, reminds us of our fragile world and our obligation to respect and preserve it.

AC: Who or what inspired you to become an artist?
Nafisa: From a young age I loved to draw and create and yet it was always the Old Masters (in particular those of the High Renaissance) which held the greatest fascination for me possibly because their art celebrated beauty of nature and the human form from a perspective of understanding and science as well as talent. So after a few years of studying medicine, I was able to appreciate the knowledge behind the art and when I chose to follow my desire to become an artist 13 years ago, it was natural that the human form would be part of my work.

AC: When you are creating – what music do you listen to?
Nafisa: I like to listen to a very broad range of music and currently am listening to the music of ‘One Republic’ which addresses the things in my personal life that I am contemplating. I think that is true of most times I am drawn to particular artists, whether it be Jack Johnson, Adele, or Maroon 5……..we all like to hear that our feelings can be validated. As painting and sculpture is about personal expression, to be listening to a song/music which I can identify with…tends to put me in a frame of mind which affects that which I am creating.

AC: Tell our readers something about yourself that may surprise them?
Nafisa: I ride a Black Ducati 800cc Monster and Romeo (my silver toy poodle) rides on the back.

AC: What is your favourite thing about Spring?
Nafisa: The temperature change…which brings about the regeneration of all things in nature and the days are more colourful as a result.There is also a noticeable buoyancy in people when the whether warms up which can be observed in a passer-by’s expression.

AC: Just a fun question! What is your favourite fashion accessory?
Nafisa: Just as a fun response; without doubt-“Romeo”- he turns heads wherever I go and begs compliments constantly apart from being the perfect conversation starter!

AC: Is there anything you can not live without?
Nafisa: I can’t live without my art…without my ability to express myself through the visual medium of painting, drawing, sculpture-. It might sound false to those who are not creatives but when your work is your identity (as that of a singer, musician, visual artist) then to be restrained from ‘doing’ your work is akin to tying one to a chair, blindfolding them and putting a gag in their mouth. Artistic expression in all its forms is what separates us from the rest of the animal kingdom and defines our culture…which is why we want to create.

NafisaAC: Winning the Packing Room Prize at the 2010 Archibald Prize must have been a wonderful experience – do you enter the Archibald Prize every year?
Nafisa: I do enter something into the Archibald each year as I feel that the genre of portraiture celebrates humanity and the achievements/identity of the subject(s) portrayed. As founder of Portrait Artists Australia I also believe that supporting the institutions which foster the arts and hold competitions is vital to engaging the public with artistic expression. Which in turn serves to be a barometer of society at the time.

AC: And finally what is next for Nafisa? What are you working on and what can we expect from you in the future?
Nafisa: As I am passionate about wildlife conservation having founded Animal Works (- www.animalworks.com.au ) which is a charity fundraising for the rescue, rehabilitation and release of endangered species globally, a large portion of my work is given in that direction. So Africa, India and Borneo are frequently on the travel destination calendar and it means when i am working, the issues are never local- always global. I would like to focus on my bronze sculptures a little more and am expecting to finish the third 6 meter mural in the series (‘Regeneration’ was the first -that won the Gold Medal at the Florence Biennale) which I have been working on for the past 8 months.
My fascination with Australian wildflowers is a lifelong commitment to observing their beauty and drawing the public eye to the fragile, yet resilient, specimens which are so unique to our island.
Nafisa at Red Hill Gallery©  www.redhillgallery.com.au

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Spring Awakening: Sonja Perkovich Q&A

Sonja Perkovich was born in Australia in 1965 to a Dutch mother an artist in her own right and a Croatian father. There was always colour, passion and drama growing up when Sonja developed a keen interest in drawing from the early age of four. Each of her paintings reflect the artists passion for still life, especially Australia’s incredible and unique flora, the bold shapes of the flowers, the jagged leaves – a reflection of Australia as a country –  beautiful, very unique and a little dangerous.

Sonja PerkovichAC: Describe your art in a sentence.
SP: It would have to be “Do you see what I see?”

AC: Who or what inspired you to become an artist?
SP: I have to say, firstly, my Mum!  When I was four, I was doodling a stick figure sketch of a girls body, complete with a 50’s style hairdo and a pointy triangle skirt.  My mother came up behind me and gently took the pencil from my hand and explained that arms and legs aren’t actually just one line – she drew as she explained “an arm tapers in at the elbow, then continues to the wrist, see?” then she repeated the theory with the leg, demonstrating that “the leg tapers in at the knee, then extends down to the foot…”  I was utterly inspired and felt like I had been set free somehow.  I will never forget that moment.  I have drawn ever since.  I never dreamed of becoming an artist though.  All I ever heard growing up and in school, was that “an artist is not a real job” so I never ever considered becoming an artist. My father wanted me to become a solicitor, but I was completely unsuited to the discipline of study!

When I was 23 my mother ran a painting class.  She guilted me into trying it and I agreed to join her class for one painting only.  That mother of mine knew exactly what she was doing!  I completed my first painting and I was sure I would not attend any further classes, after all, there were bands to see and clothes to buy and boys to meet!  My mother asked me to stop by the studio to pick up my painting and what she had done without my knowledge, was to have my painting framed.  When I came through the door and saw my painting in a frame, the painting took on a quality that removed it from my personal concept of the fact I had painted it, and I got to experience it as a piece of art.  I fell in love.  I have painted ever since.

I repeatedly sold my work still considering it a hobby while working at my “real” job at a computer software company.  One day I was in a personal development course and the forum leader said to us all “If life were NOT a dress rehearsal, if this was IT, who would you choose to be? What would you choose to do? I leaped out of my seat and yelled through my tears, “I want to be an artist!!!”  I quit my job the next day and began a journey I am still privileged to be on… I paint for the love of it, for the passion it evokes in my soul, the joy it brings others and the satisfaction of accomplishment.

AC:  Why do you paint the scenes you do?
SP:  I paint whatever makes me feel joy.  Pure joy in the beauty of Australia, her colours, her flora and her light.  I feel very blessed to live in Australia.

AC: What music do you listen to while painting?
SP: Funny you should ask. I don’t like to paint without it! Painting and music are inextricably linked with me. I have a deep connection to Spanish guitar, but thrive on very current music.  I love to dance and will burst into dance every now and then when painting.  If there is a particular song I love I will play it on repeat for days on end while I complete a piece.  It drives me on but must drive my neighbours crazy.

AC: Tell our readers something about yourself that may surprise them?
SP:  I am a single parent of two young boys, one of which is autistic. I spent 3 years relentlessly teaching my autistic son to speak from the time he was 2 years old, and I am so proud of him.  He is now 11 and speaks beautifully.  I never thought I would say this, but sometimes I wish he would stop talking quite so much!!  I have committed my life to raising healthy-minded boys. I’m very proud of them both, and I paint for them as well as myself.  I work three jobs to keep a roof over our head and can only paint at night, after the kids are in bed until around 1 – 2am every day. Some days I’m just too bone-tired to paint, but mostly I push myself.

AC: What is your favourite thing about Spring?
SP: Undoubtedly the flora, the promise of new things to come. The sunlight, the warming breeze.  I am completely joyful when Spring begins to arrive.

AC: What is your favourite quote or saying?
SP: That’s easy.  “Treat others the way you wish to be treated yourself.”  You can’t go wrong with that. It’s perfect.
SP02Exhibiting at Red Hill Gallery Brisbane in September 2013

©  www.redhillgallery.com.au

 

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David Hinchliffe for the Queensland Teachers Union

Congratulations David on a successful commission!

David Hinchliffe

At the Queensland Teachers’ Union Biennial Conference held in June 2013, the Unions’ Trustees presented artwork to add to the Union’s GA Daughtrey Art Collection (pictured is the artwork with QTU Trustees (l-r) Brian Pearson, Jenny Swadling, Allan Cook and Mary-Jane Woodgate). The Trustees commissioned the artwork by artist David Hinchcliffe which depicts one of the successful rallies of QTU members conducted in front of Parliament House during the 2012 Enterprise Bargaining campaign. As well as a noted artist, David was a former Deputy Mayor of Brisbane City Council and many years ago an employee of the QTU. The Queensland Teachers’ Union maintains the GA Daughtrey collection of artwork in recognition of the contribution of a former General Secretary of the Union, Mr George Daughtrey.

DH02©  www.redhillgallery.com.au

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